A monumental, high-impact graphic design exhibition poster executed in a raw, maximalist, and hyper-textured Dark Academia visual language, combining emotional antiquity with aggressive 1-bit print distortion.Subject & Aggressive Texture Layering:The absolute and singular focus is an ultra-high contrast, cropped close-up of a classical ancient piece of artwork, explicitly styled after a weathered Hellenistic Greek marble sculpture or a tragic Roman statue head (such as the Laocoön, a weeping marble bust, or a fragment of a classical stone sculpture). The stone textures must be entirely purged of smooth digital shading and soft gradients; instead, the entire sculptured form is processed through a coarse, highly visible, mathematically perfect 1-bit halftone screen-print dot matrix and heavy diffusion dither screens. A gritty, fine-grain 1-bit ASCII typographic code overlay must map tightly over the marble highlights and deep stone crevices, making the edges look completely jagged, pixel-perfect, and heavily distressed by photocopy scan-line shearing.Typography, Thorny Geometry & Layout Architecture:The main headline features a powerful single word like "ECHO" or "RUINS" executed in an ultra-heavy, towering modern editorial serif typeface with sharp vector edges that violently collide and slice straight across the sculpture's stone face. The typography must feature a heavy layer of tactile print noise and ink-bleed erosion inside the letterforms. A sharp, geometric vector crown-of-thorns emblem or jagged branch frame must interlock dynamically with the central text. The composition fiercely rejects any vertical sidebar data charts or margin logs; the text blocks are limited to a clean, justified baseline footer at the absolute bottom edge detailing only the year "ANNO DOMINI MMXXVI" in small, crisp tracked-out sans-serif text.Color Palette, Saturated Grading & Heavy Noise:A strict three-color spot palette consisting of an intense, rich crimson blood-red for the typography and graphic accents, an absolute deep obsidian charcoal-black for the heavy shadows, and a solid, unbleached antique-cream matte paper background. Flat color fills only for the text and borders, with absolutely zero modern digital glows, artificial soft drop shadows, or smooth vector gradients. The entire layout is heavily smothered in a vintage photocopy scanner-glass noise overlay, organic paper tooth fibers, and noticeable printing plate dust flecks to simulate an authentic, physically screen-printed zine cover.Negative Prompt:3D rendering, realistic commercial photography, smooth digital color gradients, drop shadows, neon glow highlights, laser streaks, intense lens flares, messy handwriting, cursive fonts, elegant script lettering, sans-serif display typography, blocky fonts, chaotic unorganized layouts, crowded compositions, cute cartoon style, distressed 90s grunge textures, ink splatters, coffee stains, torn paper edges, multiple colors, rainbow palette, bright saturated pastels, fuzzy text edges, generic motivational sports quotes.Left margin data sheet columns, right margin text blocks, flight telemetry layout templates, clinical lab report lists, dictionary definitions on the margin, sidebar data logs, technical details boxes, numbers, symbols, stats sheets, audio waveforms, frequency charts, overlapping collage piles, multiple book stacks, clocks, skulls, owls, butterflies, botanical illustrations, clip-art charts, warning labels, christian saints, crosses, halos, biblical imagery, angels, modern user interfaces, painting of humans, realistic skin tones, smooth digital illustration.
